Our inaugural print effort is one that we think is amusing; Functional Print Series (One), is a series in which we depict items we need.  They’re printed as simple screenprints from hand-drawn positives, and they’re quirky loving renditions of common printshop items that we’ll have to acquire.

We Need Sinks and Trays!
We Need Sinks and Trays!

With this series, we’re also playing with the idea of the edition as a commercial strategy.  During this era of nearly infinite repeatability, editions are seldom restricted by the physical limitations of the process, as they were in days of old.  Lots of folks think of editions as if an edition were merely the opposite of an exclusive, unique, expensive art object.  In printmaking circles, however, there are ideas about editions being non-localized conceptual presentations, the artifact of wear or error enforcing limitations on production, a varied yet repeatable statement, and so on.

We Need a Ferric Chloride Set-Up!
We Need a Ferric Chloride Set-Up!

What we’ve done is tallied the costs for the depicted items, then divided that by the number of impressions.  Each impression (excluding We Need to Pay People!) is therefore valued at 1/60 of the cost of these items we need.  Should Turn-Based Press be given any of the depicted items, that value will be subtracted from the price of the total cost, which lowers the cost per impression.

At this moment, each impression is valued at $187.00; the total cost of all the equipment (new, though I shopped competitively) would be $11,227.68.

We’re also amusing ourselves by setting a value on the works which is not associated with an artist’s market value.  Though I personally drew, exposed, printed and signed them, they function only as a product of the press.  I even signed them KH/TBP rather than my usual signature.

We Need  a Fire Safe Cabinet and Can!
We Need a Fire Safe Cabinet and Can!
We Need a Hot Plate and Drying Racks!
We Need a Hot Plate and Drying Racks!

The prints were installed for the Art Basel Miami Beach Open Studios 2012 event, but they’ll be coming down this week as we make some space for a Young Arts exhibition.

 

We Need Glass!

 

We Need Flat Files!
We Need Flat Files!

 

Created as a kind of tanget to the above series, the print We Need to Pay People!, stands alone.  We valued it differently.  It starts at a base price of $50 per impression (edition of 10), but then we ask the purchaser to pay whatever amount they like on-top of that.  This reflects upon the fact that a lot of labor in the arts is done unpaid, or as a volunteer effort.

We Need to Pay People! is a two-run screenprint on a buff-colored paper.  The print has a gloss coat (which appears more sparkly than flatly shiny), and is signed on the back.

Turn-Based Press; Functional Print Series One; Labor, 2012

When you purchase one from the edition, it will come with a Certificate of Authenticity, which will include a small essay explaining the series.  A PDF of the text is below.

Functional Print Series One text, Turn-Based Press, Dec 2012

*This post slightly repeats and adds to a previous post about the Functional Print Series.

 

We Need a Hot Plate and Drying Racks!
11″ x 10″, Screenprint, Edition of 10

Because there’s still so much we have to do and get at Turn-Based Press, we’ve created a print series that we think might be able to help us do that.  Called Functional Print Series (One), it’s comprised of seven editions of 10, each of which depicts something that the printshop needs to function.  Here’s part of the statement that accompanies the work and which is also part of the Certificate of Authenticity which comes with each print purchased:

This series is comprised of seven editions of ten impressions each. The works depict items which we need to acquire in order for the printshop to be optimally functional.  The price of each individual work, and of the editions as a whole has been linked to the real-world market value of the items depicted. Various contemporary editions link the price of the works to market value, as opposed to physical limitations inherent to the manufacture of the work.  Most typically, the value assigned is associated with value related to what the market will bear for a particular artist’s work.  In the case of this print series, however, the relationship between value and cost is clearly functional: we need these things, and this is what it will cost to get them!  By purchasing one of the works from us, you aid us in reaching the goal of purchasing what we need.

We do have a source of funds to draw upon for some equipment purchases, courtesy of the Knight Foundation, and a great space for the press, courtesy of Miami Worldcenter, but there’s still a lot to buy, install and do!  Any purchase you make from us will go to offset the myriad costs involved with both starting up and operating the press, and we are sincerely grateful for your support.

Of course, you also purchase a bit of history, share in a visual love letter to the things which help us make prints, get a work of art, get 10% off the cost of a membership to the press (available in January)–and with the purchase of one of each of the series (all of Series One except We Need to Pay People!), get a free class.

Six of the editions depict items, but the seventh depicts the word “Labor”; this print is entitled We Need to Pay People, and it will be priced at a minimum cost above which buyers are encouraged to add any amount they think worthwhile to help pay those of us who work to both get this project going and keep it running.

We Need to Pay People!
10″ x 11″, two-run screenprint (black and gloss coat), 2012

All of the prints are single-run screenprints, with the exception of We Need to Pay People!, which has an additional gloss overcoat run that gives the image a subtle sparkle which can only be perceived when directly handling the work.

The prints are currently installed in our area in the Downtown ArtHouse building, and will begin to be available for sale in-person starting Thursday, December 6, 2012.

Installation view depicting the Functional Print Series and a collaborative work by KH and Adler Guerrier titled “Turn Base Mark”.