Adler Guerrier has an edition printed by Turn-Based Press on view as part of his installation for the booth for Marisa Newman Projects at Volta NY from March 5 – 8, 2015.  The edition is in the form of a triptych, with the three prints each having a run of polyester plate lithography and a run of screenprinting.

Adler Guerrier at Volta NYC 2015, Marisa Newman ProjectsAdler Guerrier at Volta NYC 2015, Marisa Newman Projects

Adler Guerrier at Volta NYC 2015, Marisa Newman Projects

Adler Guerrier at Volta NYC 2015, Marisa Newman Projects

Guerrier’s artwork is among a select group of featured artists from the Caribbean who were highlighted by this year’s curator, Amanda Coulson, head of the National Art Gallery of the Bahamas.

The edition was printed by Kathleen Hudspeth; more information about the process is available at her website.

The one-night only SOFLO Prints and Publications event at Turn-Based Press was a great success.  The mood was warm and friendly, and folks seemed to have a wonderful time.  We were happy to share Julia Arredondo and Tom Virgin‘s work with everyone.

Photos from the event below.  Art-is-About has some video footage and good images of the artwork.

Turn-Based Press, Julia Arrendondo, Other Electricities Pop-up S

Turn-Based Press, Julia Arrendondo, Other Electricities Pop-up S

Turn-Based Press, Julia Arrendondo, Other Electricities Pop-up S

Turn-Based Press, Julia Arrendondo, Other Electricities Pop-up S

SOFLO Pop-up Shop Other Electricities Fsik Huvnx at Turn-Based Press (smaller)

SOFLO at Turn-Based Press, photo by Tom Virgin 2

Turn-Based Press, Julia Arrendondo, Other Electricities Pop-up S

Turn-Based Press, Julia Arrendondo, Other Electricities Pop-up S

Turn-Based Press, Julia Arrendondo, Other Electricities Pop-up S

Turn-Based Press, Julia Arrendondo, Other Electricities Pop-up S

Turn-Based Press, Julia Arrendondo, Other Electricities Pop-up S

Turn-Based Press, Julia Arrendondo, Other Electricities Pop-up S

SOFLO at Turn-Based Press, photo by Tom Virgin

SOFLO Prints & Publications is a one-night-only art event occurring at Turn-Based Press Saturday, May 24, from 6 – 9 PM featuring printed matter by artist Julia Arredondo, Conversation Too (Convo 2), a letterpress book that was printed and hand-bound by Tom Virgin which features content created by multiple artists and writers, and the release of a cassette-tape by Fsik Huvnx  for the Other Electricities label which features a hand-screenprinted case.

[More info follows the images.]

Print by Julia Arredondo

Print by Julia Arredondo

Zine by Julia Arredondo

Zine by Julia Arredondo

Spines of the hand-bound book Convo 2, by Tom Virgin.

Hand-screened Cassette Tape case for Other Electricities
The completion of Arredondo’s four-month period as the Artist-In-Residence at the Jaffe Center for Book Arts, will be celebrated by the exhibition of works produced during that time and she will have stationary and zines on view as well that were also created by her, as Vice Versa Press.

Virgin’s book, published by his own Extra Virgin Press, was also produced at the Jaffe Center during the time that he held the Helen M. Salzberg Artist Residency.

About Julia Arredondo:

Originally from Corpus Christi, Texas; Arredondo received her MFA from the Maryland Institute College of Art in 2010. For the past three years Arredondo has been traveling to artist residencies around the country, and will be completing her latest residency at the Jaffe Center for Book Arts in Boca Raton at the end of May. Since landing in South Florida, Arredondo explores the cultural terrain of Boca Raton and travels to Miami in order to participate in print research and O, Miami events.
About Tom Virgin:

Tom Virgin is a Miami based artist exhibiting prints, book arts, and public art. Born and raised in the Midwest (Detroit, Michigan), he finds living as a minority in Miami-Dade County for the last twenty years enlightening.  For the last several years he has spent summers in artist’s residencies across the United States in National Parks and artist’s communities.

He has taught as an adjunct professor for the University of Miami and Miami Dade College, and currently teaches in Miami Dade County Public Schools. He has taught Drawing, Book Arts and Printmaking around South Florida and in residencies around the country.

Elwood’s Gastro Pub will be providing hummus and pita platters for the event. Elwood’s is located at 188 ne 3rd ave Miami 33132; 305 358 5222.

The event will have an after party at Gramps, which will be featuring the monthly Southernmost Soul Party, with DJs Action Pat and Sensitive Side.

Learn about the event on the Turn-Based Press facebook page.

Elwoods logo    OE_New_Logo

Some of Steven Appleby‘s illustrations for The Good Inn were translated into both Pronto Plate Lithography and Screenprinting. See them in person on Friday, May 2 at Turn-Based Press. 100 NE 11th ST, Miami, FL, 33132.

A Map from Here to the End, screenprint from an Illustration by

Curtains, Screenprint from an Illustration by Steven Appleby for

Pronto Plate prints of an illustration by Steven Appleby, printe

Right Way Up  (Pronto Plate edition) from The good Inn, by Black

The Good Inn edition

The Good Inn edition

Turn-Based Press will be publishing a series of prints based on illustrations by Steven Appleby from the illustrated novel The Good Inn. The book was co-authored by Black Francis and Josh Frank, and there will be an event at the Press on May 2nd at 7 PM. Frank will offer a reading, and prints will be on view. Both the books and prints will be for sale.

Currently, Frank is on-tour promoting the novel, which releases April 15. Turn-Based Press has printed the first of the series–an edition of 75 two-run hand-pulled screenprints that Frank will have with him at various events around the country. The prints are $20 each. A partial event schedule and list of locations is below:

April 14–Book People, Austin, TX.

April 18–Cinefamily/Silent Movie Theater, Los Angeles, CA.

April 25–Powerhouse Arena, Brooklyn, NY. Steven Appleby, Black Francis and Josh Frank will all be present at this event.

April 29–Brattle Theater/Harvard Square, Boston, MA.

May 2–Turn-Based Press, Miami, FL.

May 9–Books and Books, Miami, FL.

May 22–Powell’s Books, Portland, OR.

May 23–Elliot Bay Book Company, Seattle, WA.

Right Way Up  (Pronto Plate edition) from The good Inn, by Black

Author and book descriptions from publisher of The Good Inn, HarperCollins:

From legendary Pixies front man, Black Francis, in collaboration with writer Josh Frank and renowned illustrator Steven Appleby, comes The Good Inn, a bold and visually arresting novel about art, conflict, and the origins of a certain type of cinema

In 1907, the French battleship Iéna was destroyed when a nitrocellulose-based weapon propellant it was carrying became unstable with age and self-ignited, killing 120 people. A year later, La Bonne Auberge became the earliest-known pornographic film, depicting an intimate encounter between a French soldier and an innkeeper’s daughter. Like all films at the time, and for decades afterward, it was made with a highly combustible nitrocellulose-based film stock.

Loosely based on historical events, The Good Inn follows the lone survivor of the Iéna explosion as he makes his way through the French countryside. He falls into a strange love affair with an innkeeper’s daughter and, even more deeply, into a volatile counteruniverse where war and art exist side by side.

But The Good Inn is also the very real story of the people who made the world’s first stag film, and Francis weaves together real historical facts to re-create this lost piece of history, as seen through the eyes of a shell-shocked soldier who finds himself that film’s subject and star. Through his journey we explore the power of memory, the simultaneously destructive and restorative power of light, and how the early pioneers of pornography helped shape the film industry for generations to come.

Black Francis (born Charles Thompson and a.k.a. Frank Black) is the founder, singer, guitarist, and primary creative force behind the acclaimed indie rock band the Pixies. Following the band’s breakup in 1993, he embarked on a solo career under the name Frank Black. He re-formed the Pixies in 2004 and continues to release solo records and tour as a solo artist, having readopted the Black Francis

Josh Frank is a writer, producer, director, and composer. He is the author of Fool the World: The Oral History of the Band Called Pixies and In Heaven Everything Is Fine: The Unsolved Life of Peter Ivers and the Lost History of New Wave Theatre. Frank has worked with some of the most innovative musicians, filmmakers, producers, and artists in the entertainment industry, including Black Francis, David Lynch, Mark Vonnegut, and Harold Ramis. He has interviewed more than four hundred of America’s most notable names in show business for his books and screenplays. In his spare time he runs his mini urban drive-in movie theaters in Austin, Texas, and Miami, Florida.

Learn more about Frank’s Mini-Urban Drive-In, the Blue Starlite, here.

Our inaugural print effort is one that we think is amusing; Functional Print Series (One), is a series in which we depict items we need.  They’re printed as simple screenprints from hand-drawn positives, and they’re quirky loving renditions of common printshop items that we’ll have to acquire.

We Need Sinks and Trays!
We Need Sinks and Trays!

With this series, we’re also playing with the idea of the edition as a commercial strategy.  During this era of nearly infinite repeatability, editions are seldom restricted by the physical limitations of the process, as they were in days of old.  Lots of folks think of editions as if an edition were merely the opposite of an exclusive, unique, expensive art object.  In printmaking circles, however, there are ideas about editions being non-localized conceptual presentations, the artifact of wear or error enforcing limitations on production, a varied yet repeatable statement, and so on.

We Need a Ferric Chloride Set-Up!
We Need a Ferric Chloride Set-Up!

What we’ve done is tallied the costs for the depicted items, then divided that by the number of impressions.  Each impression (excluding We Need to Pay People!) is therefore valued at 1/60 of the cost of these items we need.  Should Turn-Based Press be given any of the depicted items, that value will be subtracted from the price of the total cost, which lowers the cost per impression.

At this moment, each impression is valued at $187.00; the total cost of all the equipment (new, though I shopped competitively) would be $11,227.68.

We’re also amusing ourselves by setting a value on the works which is not associated with an artist’s market value.  Though I personally drew, exposed, printed and signed them, they function only as a product of the press.  I even signed them KH/TBP rather than my usual signature.

We Need  a Fire Safe Cabinet and Can!
We Need a Fire Safe Cabinet and Can!
We Need a Hot Plate and Drying Racks!
We Need a Hot Plate and Drying Racks!

The prints were installed for the Art Basel Miami Beach Open Studios 2012 event, but they’ll be coming down this week as we make some space for a Young Arts exhibition.

 

We Need Glass!

 

We Need Flat Files!
We Need Flat Files!

 

Created as a kind of tanget to the above series, the print We Need to Pay People!, stands alone.  We valued it differently.  It starts at a base price of $50 per impression (edition of 10), but then we ask the purchaser to pay whatever amount they like on-top of that.  This reflects upon the fact that a lot of labor in the arts is done unpaid, or as a volunteer effort.

We Need to Pay People! is a two-run screenprint on a buff-colored paper.  The print has a gloss coat (which appears more sparkly than flatly shiny), and is signed on the back.

Turn-Based Press; Functional Print Series One; Labor, 2012

When you purchase one from the edition, it will come with a Certificate of Authenticity, which will include a small essay explaining the series.  A PDF of the text is below.

Functional Print Series One text, Turn-Based Press, Dec 2012

*This post slightly repeats and adds to a previous post about the Functional Print Series.

 

We Need a Hot Plate and Drying Racks!
11″ x 10″, Screenprint, Edition of 10

Because there’s still so much we have to do and get at Turn-Based Press, we’ve created a print series that we think might be able to help us do that.  Called Functional Print Series (One), it’s comprised of seven editions of 10, each of which depicts something that the printshop needs to function.  Here’s part of the statement that accompanies the work and which is also part of the Certificate of Authenticity which comes with each print purchased:

This series is comprised of seven editions of ten impressions each. The works depict items which we need to acquire in order for the printshop to be optimally functional.  The price of each individual work, and of the editions as a whole has been linked to the real-world market value of the items depicted. Various contemporary editions link the price of the works to market value, as opposed to physical limitations inherent to the manufacture of the work.  Most typically, the value assigned is associated with value related to what the market will bear for a particular artist’s work.  In the case of this print series, however, the relationship between value and cost is clearly functional: we need these things, and this is what it will cost to get them!  By purchasing one of the works from us, you aid us in reaching the goal of purchasing what we need.

We do have a source of funds to draw upon for some equipment purchases, courtesy of the Knight Foundation, and a great space for the press, courtesy of Miami Worldcenter, but there’s still a lot to buy, install and do!  Any purchase you make from us will go to offset the myriad costs involved with both starting up and operating the press, and we are sincerely grateful for your support.

Of course, you also purchase a bit of history, share in a visual love letter to the things which help us make prints, get a work of art, get 10% off the cost of a membership to the press (available in January)–and with the purchase of one of each of the series (all of Series One except We Need to Pay People!), get a free class.

Six of the editions depict items, but the seventh depicts the word “Labor”; this print is entitled We Need to Pay People, and it will be priced at a minimum cost above which buyers are encouraged to add any amount they think worthwhile to help pay those of us who work to both get this project going and keep it running.

We Need to Pay People!
10″ x 11″, two-run screenprint (black and gloss coat), 2012

All of the prints are single-run screenprints, with the exception of We Need to Pay People!, which has an additional gloss overcoat run that gives the image a subtle sparkle which can only be perceived when directly handling the work.

The prints are currently installed in our area in the Downtown ArtHouse building, and will begin to be available for sale in-person starting Thursday, December 6, 2012.

Installation view depicting the Functional Print Series and a collaborative work by KH and Adler Guerrier titled “Turn Base Mark”.