Turn-Based Press Co-Director Thom Wheeler Castillo, and Emile Milgrim, founder of the Other Electricities record label as well as the Managing Partner at Sweat Records, worked together to create a special field recording and print project titled Archival Feedback.

The two took numerous field recordings throughout South Florida, edited and selected the best among them and handed them over to various sound artists, who then created sound-works in a call-and-response format.

OE041_Single_Cover
Screenprinted cover to the Archival Feedback single release. Artwork and printing by Thom Wheeler Casillo and Emile Milgrim.

The calls and responses were released by Other Electricities both digitally and on vinyl.  Wheeler Castillo and Milgrim expanded the project by also collaborating on a series of screenprints that draw upon the history of Florida dating to the era of its original colonization, vernacular architectural elements, and the native flora and fauna.  The screenprints were created at Turn-Based Press and are included in a special, box-set edition (the boxes are also hand-made).  The regular record also has a hand-screened slipcover, and at the release party, digital download codes were available for purchase as variable, hand-screened post-cards.

Suspended in...
“Suspended in . . . “, screenprint by Thom Wheeler Castillo and Emile Milgrim, included in the Archival Feedback box set.

The prints are on view through June 21 at Clyde Butcher’s Coconut Grove Gallery, along with the chance to listen to some of the recordings.  The record release party was held at the Miami Music Club in the Design District, and featured live performances by some of the Archival Feedback artists.

Prints by Thom Wheeler Castillo and Emile Milgrim; installation by Krel Levy.
Prints by Thom Wheeler Castillo and Emile Milgrim; installation by Krel Levy.  At Clyde Butcher’s Coconut Grove Gallery.

Archival Feedback has been reviewed and written about by several publications:

Spectral Hypnosis: Föllakzoid, Archival Feedback (Track Premiere), Redefine, April 21, 2015

Archival Feedback Reveals Miami’s “Complex Nature” through Sound, Miami New Times, April 23, 2015

Archival Feedback is research and fieldwork, print and sonic map, Knight Arts Blog, April 30, 2015

Archival Feedback record release event at the Miami Music Club, May 15, 2015.
Archival Feedback record release event at the Miami Music Club, May 9, 2015.

 

 

Adler Guerrier has an edition printed by Turn-Based Press on view as part of his installation for the booth for Marisa Newman Projects at Volta NY from March 5 – 8, 2015.  The edition is in the form of a triptych, with the three prints each having a run of polyester plate lithography and a run of screenprinting.

Adler Guerrier at Volta NYC 2015, Marisa Newman ProjectsAdler Guerrier at Volta NYC 2015, Marisa Newman Projects

Adler Guerrier at Volta NYC 2015, Marisa Newman Projects

Adler Guerrier at Volta NYC 2015, Marisa Newman Projects

Guerrier’s artwork is among a select group of featured artists from the Caribbean who were highlighted by this year’s curator, Amanda Coulson, head of the National Art Gallery of the Bahamas.

The edition was printed by Kathleen Hudspeth; more information about the process is available at her website.

SAW and TBPThis year’s DWNTWN Art Days event will run from September 19 – 21st. Turn-Based Press will be hosting two events, a workshop and a related exhibition.

The workshop, Comic Art Workshop: Draw and Print! will be a five hour long story-building and screenprinting adventure lead by Tom Hart, the Founder and Executive Director of the Sequential Artists Workshop, a free-standing school for comic art in Gainesville, FL, and Kathleen Hudspeth, Founder and Co-Director of Turn-Based Press. The workshop will be held at Turn-Based Press, Saturday, September 20, from 10 AM to 3 PM.

For more information about the Comic Art Workshop, visit our Workshops page; space is limited to 14 participants, and the fee is $50.

The exhibition, Tell It To My Face, will feature works from SAW as well as works by local artists, and will be an exhibition of works on paper, prints and artists’ books focusing on narrative content and storytelling. Tell It To My Face opens Saturday, September 20, with a reception from 7 – 11 PM. It will also be on view for DWNTWN Art Days on Sunday, September 21, from 11 AM – 2 PM.

More information about DWNTWN Art Days events can be found here.

ArtDays_2014_Frame_Logo

The one-night only SOFLO Prints and Publications event at Turn-Based Press was a great success.  The mood was warm and friendly, and folks seemed to have a wonderful time.  We were happy to share Julia Arredondo and Tom Virgin‘s work with everyone.

Photos from the event below.  Art-is-About has some video footage and good images of the artwork.

Turn-Based Press, Julia Arrendondo, Other Electricities Pop-up S

Turn-Based Press, Julia Arrendondo, Other Electricities Pop-up S

Turn-Based Press, Julia Arrendondo, Other Electricities Pop-up S

Turn-Based Press, Julia Arrendondo, Other Electricities Pop-up S

SOFLO Pop-up Shop Other Electricities Fsik Huvnx at Turn-Based Press (smaller)

SOFLO at Turn-Based Press, photo by Tom Virgin 2

Turn-Based Press, Julia Arrendondo, Other Electricities Pop-up S

Turn-Based Press, Julia Arrendondo, Other Electricities Pop-up S

Turn-Based Press, Julia Arrendondo, Other Electricities Pop-up S

Turn-Based Press, Julia Arrendondo, Other Electricities Pop-up S

Turn-Based Press, Julia Arrendondo, Other Electricities Pop-up S

Turn-Based Press, Julia Arrendondo, Other Electricities Pop-up S

SOFLO at Turn-Based Press, photo by Tom Virgin

SOFLO Prints & Publications is a one-night-only art event occurring at Turn-Based Press Saturday, May 24, from 6 – 9 PM featuring printed matter by artist Julia Arredondo, Conversation Too (Convo 2), a letterpress book that was printed and hand-bound by Tom Virgin which features content created by multiple artists and writers, and the release of a cassette-tape by Fsik Huvnx  for the Other Electricities label which features a hand-screenprinted case.

[More info follows the images.]

Print by Julia Arredondo

Print by Julia Arredondo

Zine by Julia Arredondo

Zine by Julia Arredondo

Spines of the hand-bound book Convo 2, by Tom Virgin.

Hand-screened Cassette Tape case for Other Electricities
The completion of Arredondo’s four-month period as the Artist-In-Residence at the Jaffe Center for Book Arts, will be celebrated by the exhibition of works produced during that time and she will have stationary and zines on view as well that were also created by her, as Vice Versa Press.

Virgin’s book, published by his own Extra Virgin Press, was also produced at the Jaffe Center during the time that he held the Helen M. Salzberg Artist Residency.

About Julia Arredondo:

Originally from Corpus Christi, Texas; Arredondo received her MFA from the Maryland Institute College of Art in 2010. For the past three years Arredondo has been traveling to artist residencies around the country, and will be completing her latest residency at the Jaffe Center for Book Arts in Boca Raton at the end of May. Since landing in South Florida, Arredondo explores the cultural terrain of Boca Raton and travels to Miami in order to participate in print research and O, Miami events.
About Tom Virgin:

Tom Virgin is a Miami based artist exhibiting prints, book arts, and public art. Born and raised in the Midwest (Detroit, Michigan), he finds living as a minority in Miami-Dade County for the last twenty years enlightening.  For the last several years he has spent summers in artist’s residencies across the United States in National Parks and artist’s communities.

He has taught as an adjunct professor for the University of Miami and Miami Dade College, and currently teaches in Miami Dade County Public Schools. He has taught Drawing, Book Arts and Printmaking around South Florida and in residencies around the country.

Elwood’s Gastro Pub will be providing hummus and pita platters for the event. Elwood’s is located at 188 ne 3rd ave Miami 33132; 305 358 5222.

The event will have an after party at Gramps, which will be featuring the monthly Southernmost Soul Party, with DJs Action Pat and Sensitive Side.

Learn about the event on the Turn-Based Press facebook page.

Elwoods logo    OE_New_Logo

Some of Steven Appleby‘s illustrations for The Good Inn were translated into both Pronto Plate Lithography and Screenprinting. See them in person on Friday, May 2 at Turn-Based Press. 100 NE 11th ST, Miami, FL, 33132.

A Map from Here to the End, screenprint from an Illustration by

Curtains, Screenprint from an Illustration by Steven Appleby for

Pronto Plate prints of an illustration by Steven Appleby, printe

Right Way Up  (Pronto Plate edition) from The good Inn, by Black

The Good Inn edition

The Good Inn edition

Turn-Based Press will be publishing a series of prints based on illustrations by Steven Appleby from the illustrated novel The Good Inn. The book was co-authored by Black Francis and Josh Frank, and there will be an event at the Press on May 2nd at 7 PM. Frank will offer a reading, and prints will be on view. Both the books and prints will be for sale.

Currently, Frank is on-tour promoting the novel, which releases April 15. Turn-Based Press has printed the first of the series–an edition of 75 two-run hand-pulled screenprints that Frank will have with him at various events around the country. The prints are $20 each. A partial event schedule and list of locations is below:

April 14–Book People, Austin, TX.

April 18–Cinefamily/Silent Movie Theater, Los Angeles, CA.

April 25–Powerhouse Arena, Brooklyn, NY. Steven Appleby, Black Francis and Josh Frank will all be present at this event.

April 29–Brattle Theater/Harvard Square, Boston, MA.

May 2–Turn-Based Press, Miami, FL.

May 9–Books and Books, Miami, FL.

May 22–Powell’s Books, Portland, OR.

May 23–Elliot Bay Book Company, Seattle, WA.

Right Way Up  (Pronto Plate edition) from The good Inn, by Black

Author and book descriptions from publisher of The Good Inn, HarperCollins:

From legendary Pixies front man, Black Francis, in collaboration with writer Josh Frank and renowned illustrator Steven Appleby, comes The Good Inn, a bold and visually arresting novel about art, conflict, and the origins of a certain type of cinema

In 1907, the French battleship Iéna was destroyed when a nitrocellulose-based weapon propellant it was carrying became unstable with age and self-ignited, killing 120 people. A year later, La Bonne Auberge became the earliest-known pornographic film, depicting an intimate encounter between a French soldier and an innkeeper’s daughter. Like all films at the time, and for decades afterward, it was made with a highly combustible nitrocellulose-based film stock.

Loosely based on historical events, The Good Inn follows the lone survivor of the Iéna explosion as he makes his way through the French countryside. He falls into a strange love affair with an innkeeper’s daughter and, even more deeply, into a volatile counteruniverse where war and art exist side by side.

But The Good Inn is also the very real story of the people who made the world’s first stag film, and Francis weaves together real historical facts to re-create this lost piece of history, as seen through the eyes of a shell-shocked soldier who finds himself that film’s subject and star. Through his journey we explore the power of memory, the simultaneously destructive and restorative power of light, and how the early pioneers of pornography helped shape the film industry for generations to come.

Black Francis (born Charles Thompson and a.k.a. Frank Black) is the founder, singer, guitarist, and primary creative force behind the acclaimed indie rock band the Pixies. Following the band’s breakup in 1993, he embarked on a solo career under the name Frank Black. He re-formed the Pixies in 2004 and continues to release solo records and tour as a solo artist, having readopted the Black Francis

Josh Frank is a writer, producer, director, and composer. He is the author of Fool the World: The Oral History of the Band Called Pixies and In Heaven Everything Is Fine: The Unsolved Life of Peter Ivers and the Lost History of New Wave Theatre. Frank has worked with some of the most innovative musicians, filmmakers, producers, and artists in the entertainment industry, including Black Francis, David Lynch, Mark Vonnegut, and Harold Ramis. He has interviewed more than four hundred of America’s most notable names in show business for his books and screenplays. In his spare time he runs his mini urban drive-in movie theaters in Austin, Texas, and Miami, Florida.

Learn more about Frank’s Mini-Urban Drive-In, the Blue Starlite, here.

The Fall 2013 New World School of the Arts Screenprinting class met at Turn-Based Press for the end-of-semester print exchange. The students were happy to meet at an off-campus location by that time.

Because of the hectic nature of the Fall art season in Miami, December print exchanges are true feats of accomplishment–they always arrive on the heels of Art Basel Miami Beach, just after the end of classes, and just after juries, meaning that one has to be both dedicated an organized in order to be able to actually have something ready for the exchange. Meeting for the exchange is also a nice opportunity to celebrate and blow off steam. Because the end-of-semester exchanges are always optional and voluntary, the folks who participate really want to be there; it can be fun.

This time, a few of us walked to the nearby, newly open Pérez Art Museum Miami, and dined outdoors at Verde, which was delicious.

Brian Perez posted a few photos from the event over at his company’s tumblr, and he’s given me permission to repost them.

NWSA Fall 2013 Screenprinting Class Print Exchange at Turn-Based Press, photo by Brian Perez.
NWSA Fall 2013 Screenprinting Class Print Exchange at Turn-Based Press, photo by Brian Perez.
KH tearing glassine--action shot!  Photo by Brian Perez.
KH tearing glassine–action shot! Photo by Brian Perez.

Turn-Based Press Co-Director Thom Wheeler Castillo lead several tours during DWNTWN Art Days. Tour number four was titled Walking Tour no.4: An Object, A Craft, and Ideas (PRINT), and included both a watercolor monotype participatory demonstration as well as a jaunt to visit the New World School of the Arts Faculty Show exhibition.

I presented the monotype demonstration and spoke at the NWSA faculty show about my stone lithograph which uses watercolor monotype as a second run, as well as about work by Carol Todaro. We both also currently have pieces on view in Impressions: a Selection of Academic Printmaking and Artists’ Books in the Turn-Based Press exhibition area.

DWNTWN Art Days 2013 Walking Tour Turn-Based Press Watercolor Mo

DWNTWN Art Days 2013 Walking Tour Turn-Based Press Watercolor Mo

DWNTWN Art Days 2013 Walking Tour Turn-Based Press Watercolor Mo

DWNTWN Art Days 2013 Walking Tour Turn-Based Press Watercolor Mo

DWNTWN Art Days 2013 Walking Tour Turn-Based Press Watercolor Mo

DWNTWN Art Days 2013 Walking Tour Turn-Based Press Watercolor Mo

DWNTWN Art Days 2013 Walking Tour Turn-Based Press New World Sch

DWNTWN Art Days 2013 Walking Tour Turn-Based Press Watercolor Mo

DWNTWN Art Days 2013 Walking Tour Turn-Based Press Watercolor Mo

Our second DWNTWN Art Days 2013 event was fun–and a little inky. TBP printed a 5-color split fountain screenprint for the TM Sisters as a live printing demo after an introductory talk.

Live Printing with the TM Sisters at Turn-Based Press during DWN

Live Printing with the TM Sisters at Turn-Based Press during DWN

Live Printing with the TM Sisters at Turn-Based Press during DWN

Live Printing with the TM Sisters at Turn-Based Press during DWN

5 Colors; Live Printing with the TM Sisters at Turn-Based Press